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The bus #2
Oil on board                                                                                              19*30 cm

THE BUS

The bus #1
Oil on board                                                                                                                                      30*40 cm

Thinking about different aspects of my life in Iran, I realised that being inside a house or out in the city was a very different experience under Iran’s theocratic state. There are significant or sometimes even paradoxical levels of safety, freedom, control and a sense of belonging in each space. 

This exploration through my memories reminded me of a day on a bus in Iran when I reflected on my sense of not belonging. I suddenly looked at the people who were on the same bus and thought: If they knew I’m a Baha’i, how would the people who are now sitting peacefully next to me react? What would they do to me? And as well as being frightened by the thought, I suddenly felt very detached and distant from those people. I wished to not exist at that moment while I was thinking about what they were capable of.

By sketching and painting that moment on the bus, I explored the feeling of not belonging and fear that I experienced in that memory. In Iran, there are two separate sections on the buses for men and women, and since I was sitting in the women’s section, I was surrounded by women. It is common for many women in Iran to wear clothes in dark colours in public. I am exploring the invisibility and erasure in these paintings and sketches.

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Study of the Bus
Charcoal and oil on paper                                                                                                 50*70 cm

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